From: Ivan Ladislav Galeta
To: objava radova galeta
Sent: 24. sijecanj 2006 18:56
Subject: e-mailart 27


 

Poštovani,

 

Prošle godine sam priveo Kraju prvu seriju projekta e-mailart od broja1do 26.

Obzirom da ga i ove godine namjeravam ponovo od Kraja započeti,

opet Vas molim, u koliko Vam ovim svojim radovima 

opterećujem elektronsku poštu i ne želite je dalje primati,

da me o tome obavijestite.

 

S poštovanjem,

Ivan Ladislav Galeta

 

Dear all,

 

Last year I brought to the End the first series of my e-mailart project, issues 1 to 26.

Since this year I intend to restart at the End, I ask you again to let me know

if my works represent an unwanted burden in your mailbox

and you want to be taken off my mailing list.

 

Respectfully, 

Ivan Ladislav Galeta

 

Napomena:

Uskoro ću na svojim službenim stranicama objaviti redom sve radove iz ove prve serije

i to u njihovom izvornom (Outlook Express) obliku.

Nadam se da ne ćete imati ništa protiv ako njima pridodam i neke vaše replike,

koje su povemeno pristizale kao izravna reakcija.  

U koliko pak netko od vas to ne želi, isto tako ga molim

da me o tome u razumnom roku obavijesti.

 

Koristim ovu priliku zahvaliti Gordanu Karabogdanu na velikoj pomoći pri realizaciji ovog

interaktivnog medijskog projekta, kao i svima onima koji su se u njega izravno uključili.

A "ljubiteljima labilne ravnoteže" BICIKL.hr zahvaljujem što su ga izdigli na  globalnu razinu.

 

Note:

Before long I will publish all of the works from the first series on my official web page.

They will appear in their original (Outlook Express) form.

I hope that you will not object to my intention to publish some of your responses and comments alongside the e-mailart pieces.

They were all received as direct reactions to my mail. Should you not wish your comments to be included,

kindly inform me of your wish within a reasonable period of time.

 

I would like to use this opportunity to express my gratitude to Gordan Karabogdan for his help

with the realization of this interactive media project,

as well as to all of you who became directly involved with the project.

I thank the “lovers of unstable balance” BICIKL.hr for raising the project to the global level.

 

 

ivan ladislav galeta

e-mailart No 27

 

likovni instrument

the art leverage

 

PALIMPSEST  

PEN DULUM 3 (1993-2005)

slojeviti jednolinijski zapis u njegovoj gravitacijskoj mijeni

eternal in layers legend in the gravitation phase

 

nepoznati autor (visaak)

anonymous author

 

ove tri snimke izveo:

this three fotos take:

luka mjeda

 

materijal:

tri puta prosijani drveni pepeo (grab, bukva, hrast),

bakar, cin, željezo, čelik, mesing, zlato,

plastika, gips, zemlja, voda, zrak, vatra…

 

material:

three times screen wood ash (hornbeam, beech, oak)

copper & zinc, iron, steel, brass, gold,

plastic, gypsum, earth, wather, air, fire……

 

pomagao pri istovaru, pilenju, slaganju,

zatim, drva cijepao, peć nalagao, ložio, čistio, skupljao pepeo,

tri puta prosijavao, pri tome se tri puta zaprašio, preznojavao i isparavao,

te se tri puta isprao, na koncu, likovni instrument konstruirao,

na tri točke ovjesio i postavio te si u zadatak dao

da će ga doživotno ugađati i održavati: Ivan Ladislav Galeta

 

helped unloading, sawing, pilling, and then woods /from the wood/ splitting he(or I) did, indeed!

wood stove with wood-logs loading, fire in it keeping up, cleaning, gathering  ash/ashes from fire,

dust to dust gether I must! , hree times sifting, and during the course of all that actions/job three times completely,

totally, utterly & overwhelmingly oversweating & evaporating, three times washing myself out

and in the end-the art leverage devising & installing, and comitting myself  to adjust & maintain it perpetually,

untill the very end of my life.

 

 

dimenzija:

measurement

900 X 5155 X 900 mm

 

u vlasništvu:

moderna galerija zagreb

 

in property

the modern gallery zagreb

 

 

 

u spomen jednom od najvećih nepoznatih umjetnika 20. stoljeća!

in honour one of the greatest unknown artist of the 20th century!